Louis XIV and Bernini


 

This relationship is not an easy one. Out of the three projects that the genius of baroque performs for the Sun King, only one is satisfying to the patron, the portrait. The other two, the equestrian statue and the new Louvre, are both equal disasters. 

The Louvre’s reconstruction project does not please Louis because the king wants to preserve what had been constructed by his ancestors; as for the equestrian sculpture, it does not correspond to the king’ idea of baroque, which is that of scale and not so much of movement. 

Furthermore, Bernini does the study of Louis’ face when the king is in his twenties; the statue arrives to Versailles from Rome when His Majesty is already fifty-eight.

If we were to dump a sack of flour over our mother, used to say the artist, we wouldn’t recognize her, even if she were to walk on the other side of the street. Imagine Louis XIV meeting himself in the same condition, but twenty years later.

Who is this? And when he finally figures it out, he gets angry; and he is getting angrier and angrier as time goes by, for he is banishing the statue farther and farther away from his palace.

Until finally we find it here, on the bank of the Swiss Lake. Here it endures the turbulent ride of the French Revolution. By the way, this is the only Louis XIV statue which survives the event: does not get its nose broken, or anything like that. Perhaps the revolutionaries, just like Louis himself, do not recognize their king? 

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About versaillesgossip, before and after Francis Ponge

The author of the blogs Versailles Gossip and Before and After Francis Ponge, Vadim Bystritski lives and teaches in Brest France. The the three main themes of his literary endeavours are humor, the French Prose Poetry, the French XVII and XVIII Century Art and History. His writings and occasionally art has been published in a number of ezines (Eratio, Out of Nothing, Scars TV, etc). He also contributes to Pinterest where he comments on the artifiacts from the Louvre and other collections. Some of his shorter texts are in Spanish, Russian and French.
This entry was posted in Chateau Versailles, French Revolution, Louis XIV. Bookmark the permalink.

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