Women’s Fashions under the Influence of Guillotine

This portrait of Madame Récamier is all about the influence of guillotine on women’s fashions. Juliette is barefoot in a nightgown-like dress. Most art historians would not venture past the references to the classical attire.  Yet I ought to remind my readers that before climbing the scaffolds, clothes and shoes were routinely taken off, and both men and women went up the steps already in their under-garments; as for the hair, it was cut down to its roots already at the Conciergery. After the fall of Robespierre, the above features turned into a powerful allusion to the woman’s political affiliation: the days of Terror were officially over, and now only those who had once been scheduled for guillotine, or have lost a very close relative to it, could be admitted to an exclusive Victims Ball. From that presumably orgiastic event, where young women wore diaphanous robes decorated with seventeen pearl buttons — an allusion to Louis XVII, Louis XVI’s son; and where they wore simple red chokers in reference to the mortal blade cut, the radical new fashions spread into the city. It is right around this time that shawls became popular, for the light muslin dresses failed to keep the fashionistas warm; as for the shawl’s color — red, it served as a reference to Charlotte de Corday, the murderer of Marat, concealing in her scarf her weapon. To summarize my foray into the world of fashions, I have to point toward the work of French linguists, who tell us that at the turn of the XIX century the Parisian dialect was changing, showing a new tendency to swallow r, for the traumatized Victims failed to pronounce the first letter of the word Revolution.

See also Sentimental Ring at Musée Carnavalet and “Raising Cane”.

About versaillesgossip, before and after Francis Ponge

The author of the blogs Versailles Gossip and Before and After Francis Ponge, Vadim Bystritski lives and teaches in Brest France. The the three main themes of his literary endeavours are humor, the French Prose Poetry, the French XVII and XVIII Century Art and History. His writings and occasionally art has been published in a number of ezines (Eratio, Out of Nothing, Scars TV, etc). He also contributes to Pinterest where he comments on the artifiacts from the Louvre and other collections. Some of his shorter texts are in Spanish, Russian and French.
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2 Responses to Women’s Fashions under the Influence of Guillotine

  1. la dauphine says:

    your blog is so thorough it makes me wonder why I bother! 😉 just kidding…Amazing work! http://wp.me/p2nMI8-iY

    • If I were not living here, I would find it difficult to write about XVII-XVIII centuries; but cheer up, one day when you come to Versailles, I will give you a tour to inspire you for years to come.

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