When Felice Varini Taped-up Versailles


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He projects (with paint or tape) simple shapes onto an architectural complex, and an ambulating viewer receives them as “a heap of broken images” specific to a particular itinerary. In the context of Versailles, 2013, such transitory interpretations revived the collimations and anamorphisms of André Le Nôtre. Yet on one occasion, when Felice Varini taped up the Small Stables, the building looked convincing enough even outside the above historical context.

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This entry was posted in Chateau Versailles, Contemporary Art, Contemporary Art at Chateau Versailles, The Versailles School of Architecture, Versailles. Bookmark the permalink.

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